Said Sayrafiezadeh Quotes

As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons.

I think there are so many children being brought up in some form of violence, be it violence of poverty or sexism or racism or homophobia or transphobia. That violence takes a life to transform or overcome. I don't think people should be spending their lives dealing with that. I think people should be thriving, playing, creating, evolving.

My childhood ended in this horrible way. I lived in a country where I didn't trust anybody.

I have irrational fears, and they all go back to losing my father as a kid. I've never gotten over it.

It wasn't until I left that I realised it's not weird to grow up in certain cities and, by the age of 27 or 28, for all of your friends to still be alive. I can think of a lot of kids that I knew in Chicago who were supposed to grow up but didn't.

I think intensity is one thing, and gore is another.

My father died when I was 4 years old, so I can't really say anything about his hearing.

Oftentimes, discussion of war gets flattened to a discussion of trauma.

Up until the age of 9 or so, I was an incredibly happy, pretty well-adjusted, funny kid who made my parents laugh all the time. I was a bit of a clown, and I was really happy. And then my parents divorced, and I kind of turned into a different person.

Bambi, to a kid, was scary.

The facts of life are that a child who has seen war cannot be compared with a child who doesn't know what war is except from television.

I saw a great many men die afterwards, some suffering horribly, but I do not recall any death that affected me quite so much as that of this first victim in my platoon.

English Prime Ministers and American Presidents, it’s amazing how many of them have lost a parent in their childhood.

It was traumatic for my children to see the British army en masse coming into our home and searching the house. I recall on one occasion, when our home was raided, my youngest son was standing at the top of the stairs - he would probably have been only three years of age - in his pyjamas. The soldiers came up the stairs, and he peed himself.

Disney features, especially the early ones, were horror movies with cute critters: Greek tragedies with a hummable chorus. Forcing children to confront the loss of home, parent, friends and fondest pets, these films imposed shock therapy on four-year-olds.

The song 'Innocent' is a song that I wrote about something that really, really emotionally impacted me.

When I was four or five, I had an older brother who got paralyzed from the neck down in junior high school. Some kid did a wrestling fall on him and hit his spine. We had to take care of him. I went from being the baby to not really being the baby anymore.

All of us have that feeling of some deficiency from our childhood. I think that's a universal thing.

I saw a young boy eating an ice cream cone, ... I smashed it in his face. You know that kid is going to remember me when he's 50.

I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.

When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.

I think so much of my early life, even though I grew up White and middle class, I was completely shattered by the horrifically violent atmosphere I grew up in. I am a consequence of violence. That opened a door to many realities that I would not have experienced had I not survived what I did.

The death of childhood is the beginning of poetry.

I thought some of the stories were neat; I liked some of the liturgy and some of the songs. If you're a writer you have some inclination to pay attention. I didn't just tune it out and think about baseball. So, it had an effect on me.

I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.