Finn Wolfhard Quotes

Because I'm shooting 'The New Normal' and 'Real Housewives of Atlanta' at the same time, so my schedule is double. I leave one show and go and shoot the other. The cameras are with me for, like, every day of my life. So I'm extremely tired.

I was shooting the third season of 'The Big C' and doing 'The Normal Heart' at the same time on Broadway, and I thought, 'I'll never do anything as difficult as this.'

Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.

Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon.

I think I was never home when I was directing, because you're either prepping, shooting, or editing, and then acting at the same time. It's really time-consuming, but it was great fun.

When I started 'Game of Thrones,' the first three seasons, I still DJ'd every night before I went on set. I'd finish DJing at 3 A.M. and have to be on set at 5 A.M.

I did 'The Avengers.' 'Marco Polo' happened at the same time for me. So working that schedule out was a bit of an issue, but I was fortunate enough to make both things work.

Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.

I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.

The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.

I find it really hard to even read another script while shooting.

Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.'

I was planning to study more, but it's a struggle with so many opportunities for film and trying to get better through studying. No matter what, I want to be making more movies.

The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies, and I'm a better moviemaker than I would be writer.

When I was younger and in primary school, I'd do maybe a film a year, and I had to adapt to being away from everyone for a couple of months.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.

A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.

I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.

When you're acting and directing, you're standing there acting with another actor, and you're trying to do your performance, and at the same time you're watching their performance, and making sure the lights are in the right place, and if the person is wearing the right wardrobe. All these things are going on in your head.

Well, you have absolutely no idea what a nightmare it was to be on a set, trying to figure out how I was going to find out what time it is, how I was going to get my meds, and at the same time not have it be obvious to someone.

'Dark Knight' shot in London and Chicago, and we were on that for so long.

Usually, you can shoot a movie in 10 or 12 weeks.

I went to film school, so I certainly know how to make things quickly and cheaply. But at the same time, I have the experience of working with Steve Starkey for three years. I watched him produce some gigantic movies.

I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.