Pina Bausch Quotes

I do everything I know how in a dance.

Dance is your pulse, your heartbeat, your breathing. It's the rhythym of your life.

I've always liked to dance - I've got a natural rhythm.

I am dancing all the time. Every gesture, the body line of every pose, the way I get from place to place, the movement in the acting - none of it would be the way it is if I weren't a dancer.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

When it comes to acting, you really have to create movement which in some ways is dancing. And dancing, I feel is very important to act as well. I wouldn't put one over the other.

I just play the little guy, except I play him through dance.

I like to groove a little bit!

I've always loved dancing. As soon as there is good music, I've got to get up and dance. I was passionate about ballet as a little girl.

I've always felt like I can dance.

Dancing, apart to music with a beat, is my legacy.

The dance is a poem of which each movement is a word.

And dance is wonderful because dance is so immediate.

When it comes down to dance, dance is about movement to music.

I've done a lot of dance sequences because I like them; I like to animate dancing because it's fun and visual.

Tap is still the central driving force of my life. I think and talk in dance.

I dance as best I can. I try to let the music flow freely through my legs.

In song and dance, man forgets how to walk and speak and is on the way into flying into the air, dancing... his very gestures express enchantment.

Dancing can reveal all the mystery that music conceals.

If I can not dance, I shall die!

I'm a dancer, so I love to dance.

I feel like dance, by its nature, goes so easily to grand and beautiful.

I love ballet because you can see how beautiful the body is.

As a dancer, I love music that makes me want to move.

I always thought martial arts was the most modern choreography we could have right now, and I always wanted to put it to music.