Anne Morrow Lindbergh Quotes

The book [ One Thousand Gifts] took just over a year to write, on the fringe hours, early and late, around home educating 6 kids and farming and blogging. And I wonder if the greatest challenges was to keep pressing into it when I had never been here before. I felt like Abraham - being called to something that he didn't know how to get to.

[Children] would have messed up my apartment. In the main, they are ungrateful. They would have siphoned too much time away from the writing of my precious books.

I wrote 'Lakeside View Apartment Suites' with Roman in my arms. He was about a month old. I was playing left-handed and finally handed him over. On the demo of it, you can hear him crying in the next room.

Outside of interviews, I spend very little time thinking about myself. I spend time thinking about my writing and my children and other things that are pertinent.

It's no coincidence that I began writing the day my daughter started school. I knew everything I knew before I began to write, but I was raising two children and didn't have the time to get to the typewriter.

I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.

When you get married and have children, and you start having hits and success and your business starts growing, there's less and less time for songwriting.

I will say I highly recommend, if you want to write a book also, have a child in the midst of that process because it will really force you to organize your time.

I never thought that it would take me so long to do something. I thought everything was temporary and sometimes the best thing you have working in your favor is a bad sense of time. In order to sit down and write a book that takes six years you have to have a screwed up sense of time because that's too daunting. No one is going to pick up a pen and a piece of paper and say, "Okay, six years, here we go."

Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.

It was by coincidence that I ended up opening my first shop in 1968, and I haven't stopped since. I now find myself trying to do everything. I couldn't live without creating my collections, without writing, drawing and reading. But I couldn't either live without being close to my children on a daily basis and also to my grandchildren, and to all the people I love. I guess I am like every woman today, one who juggles her work and family life.

My process is surprisingly straightforward. I find myself with little to do over a stretch of time and I say, "I should write children's books today." Then I sit down and write a children's book, and if it takes more than, realistically, three hours, I feel like I've done something wrong.

Having children, you have so much more structure in your life. The open-endedness of being a single woman is gone, you know? It's sort of like, from 1 P.M. to 3 P.M. the kids are going to take a nap, so now I have time to sit down and write the lyrics, or once they're put to bed, I have a few hours to focus on those things. I need that. It's a very strange process, really - I can never predict what's going to happen. It always feels uncomfortable and awkward.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

So many wonderful books to write, and not enough hours in the day. An embarrassment of riches.

I'm a highly, highly, highly creative human being. I write music all the time. I write scripts constantly. I run my own production company. I'm also a very determined businesswoman. I've a town to deal with. I've got a lot of things to do and I don't have time to be classified as difficult, and I don't have time to care.

Writing a book is the most terrifying thing that I've ever done. It's so much harder than writing for television because it is a completely different skill set.

It is as easy to dream a book as it is hard to write one.

I feel like since I've had a child I've become a better problem-solver, because you just have to! I have to be positive for him for sure, but it's not even about thinking about it. It's just how to make this work, and it can get pretty nutty, but it's fun too!

I'd got married and wanted to have kids, so had kids, brought them up, did other things, and slowly got back into music. And it feels great, having one foot in the present, writing and covering interesting songs, and having one foot in the past.

I write at all different times. I write in my bed, I write at the table. I need to get it together. I'm working on a book and working, and just jam it in whenever it makes sense.

Children's book writers tend to feel quite superior, and adult writers tend to feel they wouldn't know how to write a children's book - which might surprise you because I think a lot of people think it's the other way around.

I have a lot of empathy for women who fit their writing into the crevices of their too-busy lives, as I once did.

Writing a book isn’t an easy process nor is it always enjoyable, but it is one of life’s most satisfying achievements.

But I begin to think the chief difficulty in writing a book must be to keep out what does not belong to it.