Aeschylus Quotes
But when the dust has drunk the blood of men, no resurrection comes for one who's dead.
Aeschylus. Oresteia: Agamemnon. Libation-Bearers. Eumenides. Translated by Alan H. Sommerstein, Harvard UP, 2008, lines 647-648.
He argued that the device, by decapitating the victim very quickly, was a more humane form of execution than the methods previously used. Ironically, a device that was adopted for human purposes, was used to extreme’s in the French Revolution where tens of thousands of people were killed using this machine—the Reign of Terror.
Prior to whites settling in America, various Indian tribes had a long history of fierce fighting for control of Kentucky. The Transylvania Land company negotiated for the “rights” to Kentucky. Dragging Canoe, who opposed the treaty, argued that the land had a bad history and would be very difficult to settle. Poet Theodore O’Hara described Kentuckians as “Sons of the Dark and Bloody Ground” in his poem, The Bivouac of the Dead.
John Mason led a force of 90 Pilgrims and 70 Mohegan Allies quietly surrounded the Pequot village at Mystic. Then they fired their guns into the village and charged the Pequot houses, setting them on fire and killing all those who tried to escape. Over 400 Pequot were killed. The Mohegan allies were so shocked at the carnage that they shouted, “Stop! Stop! It is naught, it is naught, because it is too furious, and slays too many men.” Prior to the massacre of Mystic Village, there had been many battles and villages destroyed, but this marked the first time that entire populations of men, women and children were exterminated in the English Colonization. After Mystic village both whites and Indians participated in terrible massacres inflicted on each other. This was not the first massacre in America as the Spanish in the South and West commonly used the tactic.
Aeschylus (UK: /ˈiːskɪləs/, US: /ˈɛskɪləs/; Greek: Αἰσχύλος Aiskhylos, pronounced [ai̯s.kʰý.los]; c. 525/524 – c. 456/455 BC) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Before this, characters interacted only with the chorus.
