Frank Herbert Quotes

Left to it's own devices, writing is like weather. It has a drama, a form, a force to it that shapes the day. Just as good rain clears the air, a good writing day clears the psyche. There is something very right about simply letting yourself write. And the way to do that is to begin, to begin where you are.

I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing.

I just have to proceed as usual. No matter what happens, nothing helps with the writing of the next book.

It's always struck me as unfair that writing has so little sensation when it's going well.

What surprised me most while writing 'The Monogram Murders' was that everything I needed seemed to arrive in my head exactly when I needed it.

There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.

I usually write a lot. I don't make an album and don't write for two years and then end up with a blank paper starting over.

Sometimes you don't really know what you're going to write about. I mean, there's times where you get into a writing room and it's a complete flop. And then there's times where you get to a writing room and you're like, 'Oh, I'm just on a roll.'

The faster I write the better my output. If I'm going slow, I'm in trouble. It means I'm pushing the words instead of being pulled by them.

When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.

What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.

Writing every day is a way of keeping the engine running, and then something good may come out of it.

The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain.

I remember the few times that happened to me in writing, where you basically start writing and you look at the clock and six hours have gone by and you're, like, "Whoa! What the hell just happened?" And that piece ends up in the final product even though the final product is three years away. It doesn't get rewritten. It came out the right way. But that's happened to me so few times in my life.

I seldom know what I'm going to write when I sit down. There isn't much agony and sweat of the human spirit involved in doing it. The writing's easy, it's the living that is sometimes difficult.

I don't spend the day writing. I'll maybe write fresh copy for two hours, and then I'll go back and revise some of it and print what I like and then turn it off.

That's the best thing about writing, when you're in that zone, you're porous, ready to absorb the solution.

It is very enjoyable, writing a story. You get this idea. It takes hold of you. And then you spend day and night thinking about how to do it. And then you do it. And much later, you think, 'Oh, yes. That's an interesting question.'

I believe in working with your morning brain - you have your coffee, and then maybe you'll start thinking about the grand plan and what's going to happen in the next arc, and then you write for a while, and then you get really dreamy, and over the course of the day or in the middle of the night, something comes, and you just throw it in!

I write in a rush of memory.

The cool thing about writing is that there is really never a typical day. Sometimes I get a rhythm going and head off to work every morning and come home at night. Sometimes I'll write for two days straight and then be utterly blank for the next two.

And once I know what the first page is, then the rest will come.

I can see a scene in my head, and when I try to get it down in words on paper, the words are clunky; the scene is not coming across right. So frustrating. And there are days where it keeps flowing. Open the floodgates, and there it is. Pages and pages coming. Where the hell does this all come from? I don't know.

Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.

I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.