Kate Winslet Quotes

Where a man has a passion for meditating without the capacity of thinking, a particular idea fixes itself fast, and soon creates a mental disease.

A fine shiver coursed over my skin. "Seth?" "Yeah?" "You were in my dream." One amber-colored eye opened. "Please tell me we were naked." I rolled my eyes. "You're such a perv." He sighed mournfully as he wiggled closer. "I'll take that as a no." "You'd be correct." Unable to fall back to sleep, I started chewing on my lip. So many worries surfaced at once that my brain spun.

Sometimes I have something stuck in my head and that directs the rhyme that I'm writing with.

If you have all the research, all the ground rules, all the directives, all the data - it doesn't mean the ad is written. Then you've got to close the door and write something - that is the moment of truth which we all try to postpone as long as possible.

I get lots of ideas when the lights go out at night and it gets very quiet. Sometimes they come when I first lie down to sleep; other times I wake up with an idea racing through my mind. But regardless of when an idea comes, I have made it a habit to get out of bed and write the idea down before it disappears into my dreams. You should do the same.

You can fix anything but a blank page.

So much in writing depends on the superficiality of one's days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.

I can't really say - if I've run out of ideas until I've had my next set of ideas.

It often happens that I have an idea, but then I try to fill in the intermediate steps and find they don't work, so I have to give it up.

There will be days when the stuff is not flowing freely. What you do then is MAKE IT UP!

So where do the ideas-the salable ideas-come from? They come from my nightmares. Not the night-time variety, as a rule, but the ones that hide just beyond the doorway that separates the conscious from the unconscious.

When I write I just keep a waste paper basket handy in case I am experiencing a block.

See, I don't get the sense that you need to direct at all. Sometimes I get the opposite sensation from you, that you're like, "I really should go do something else." But then you are drawn back in by a particular story, like a hangnail in the brain.

Sometimes I dream song ideas. I write a song in my dream, the melody and everything. But then sometimes I can't remember them. I think later on, I probably do.

The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.

As an actor, I started using dreams more, which is not mystical or anything like that. I just found that I've been using that as a tool to give me another point of view towards the work. It's often surprising but really helpful.

I have a very, very secret drive to become a dilettante, without the pejorative overtones or the obligation to produce myself. There's so much to examine, so much to contemplate. I have enormous enthusiasm when I start a new project but then there's the meetings and the counter-meetings, the rehearsals, the struggles. You have to keep pushing and pushing and pushing to get your dreams realised.

Gauss replied, when asked how soon he expected to reach certain mathematical conclusions, that he had them long ago, all he was worrying about was how to reach them!

I don't remember what script it was, but at the Monday table read, the [opening] teaser didn't work.We went back and had to think of a new teaser, and [after] four hours, five hours, we weren't landing on anything.And it was probably Glen [Charles] who said, "What are we, cowards?" You had to do it, no matter how long it took.

A problem with a piece of writing often clarifies itself if you go for a long walk.

Sometimes if I'm stuck on something, I'll have a drink, and it'll get me inspired and ready to keep going. But the trick to that, again, is that you have to drink responsibly! I've learned how to use it sometimes to help my creative process.

If you mean do I use the guitar when I'm sitting at home writing stuff, then basically no, never. All I would ever write would be stuff that my fingers easily fall into.

It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.

I think anytime you set out to start doing something, it's always a difficult thing. It's a theory of a blank sheet of paper, for an artist; It's a challenge to put yourself in that position in life, and even in your mind, to put the two together. But you have to, and so that's what you do. I tend to look at it as less than a problem than a process.