Lauren Oliver Quotes

Why I so much prefer autumn to spring is that in the autumn one looks at heaven--in the spring at the earth.

O suns and skies and clouds of June, and flowers of June together. Ye cannot rival for one hour October's bright blue weather.

He is some brainless, beautiful creature, who should always be here in winter when we have no flowers to look at, and always here in the summer when we want something to chill our intelligence.

It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.

Sometimes I think maybe they were right all along, the people on the other side in Zombieland. Maybe it would be better if we didn't love. If we didn't lose either. If we didn't get our hearts stomped on, shattered: if we didn't have to patch and repatch until we're like Frankenstein monsters, all sewn together and bound up by who knows what. If we could just float along, like snow. But how could anyone who's ever seen a summer - big explosions of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?

In early June the world of leaf and blade and flowers explodes, and every sunset is different.

To him, who still would gaze upon the glory of the summer sun, there comes, when that sun will from him part, a sullen hopelessness of heart.

We have the promises of God as thick as daisies in summer meadows, that death, which men most fear, shall be to us the most blessed of experiences, if we trust in him. Death is unclasping; joy, breaking out in the desert; the heart, come to its blossoming time! Do we call it dying when the bud bursts into flower?

Jas in the Arab language is despair, And Min the darkest meaning of a lie. Thus cried the Jessamine among the flowers, How justly doth a lie Draw on its head despair! Among the fragrant spirits of the bowers The boldest and the strongest still was I. Although so fair, Therefore from Heaven A stronger perfume unto me was given Than any blossom of the summer hours.

This was one of those perfect New England days in late summer where the spirit of autumn takes a first stealing flight, like a spy, through the ripening country-side, and, with feigned sympathy for those who droop with August heat, puts her cool cloak of bracing air about leaf and flower and human shoulders.

Spring, summer, and fall fill us with hope; winter alone reminds us of the human condition.

Many of the phenomena of Winter are suggestive of an inexpressible tenderness and fragile delicacy. We are accustomed to hear this king described as a rude and boisterous tyrant; but with the gentleness of a lover he adorns the tresses of Summer.

The tear, down childhood's cheek that flows, Is like the dewdrop on the rose; When next the summer breeze comes by And waves the bush, the flower is dry.

Lovers, forget your love And list to the love of these She a window flower And he a winter breeze.

The dance of the flower in the wind, in the sun, in the rain, cannot be understood by the head; the heart has to be open for it.

Under the olive trees, from the ground Grows this flower, which is a wound. It is easier to ignore Than the heroes' sunset fire Of death plunged in their willed desire Raging with flags on the world's shore.

The great purpose is to set aside a reasonable part of the vanishing wilderness, to make certain that generations of Americans yet unborn will know what it is to experience life on undeveloped, unoccupied land in the same form and character as the Creator fashioned it... It is a great spiritual experience. I never knew a man who took a bedroll into an Idaho mountainside and slept there under a star-studded summer sky who felt self-important that next morning. Unless we preserve some opportunity for future generations to have the same experience, we shall have dishonored our trust.

This bud of love, by summer's ripening breath, May prove a beauteous flower when next we meet

Nasturtiums, who colored you, you wonderful, glowing things? You must have been fashioned out of summer sunsets.

I grew out my armpit hair for the summer. It turns out my natural hair colour isn't blonde.

I have a friend who's an artist, and he sometimes takes a view which I don't agree with. He'll hold up a flower and say, "Look how beautiful it is," and I'll agree. But then he'll say, "I, as an artist, can see how beautiful a flower is. But you, as a scientist, take it all apart and it becomes dull." I think he's kind of nutty. [...] There are all kinds of interesting questions that come from a knowledge of science, which only adds to the excitement and mystery and awe of a flower. It only adds. I don't understand how it subtracts.

Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.