Bharati Mukherjee Quotes

The English are very exotic to me.

The thing about being black and having a different accent, in the beginning, is that it makes you foreign.

Foreigners are not like the people I am used to here.

When I went to Australia, I had this feeling, like, 'Wow, this is really a different country.' I think that feeling of genuine foreignness, that this is a very different culture, which is increasingly rare in our globalised world.

Other people's traditions look charming and decorative and exotic. They're nice places to visit on holiday, but you wouldn't want to live with one.

I don't see myself as exotic.

When I went to London, they told me I spoke with a funny accent - English with a Chinese accent.

I just feel in a lot of ways black people are so much looser and cooler. Just as a culture, it's so much more real.

My first few weeks in America are always miserable, because the tastes I am cursed with are all of a kind that cannot be gratified here, and I am not enough in sympathy with our gross public to make up for the lack on the aesthetic side. One's friends are delightful; but we are none of us Americans, we don't think or feel as the Americans do, we are the wretched exotics produced in a European glass-house, the most displaced and useless class on earth!

I'm a fan of the mythos of Atlanta hip-hop, and it's something I grew up imagining. It was very interesting to get there and see the real version of this world and then reconcile the differences between what's presented as Atlanta hip-hop to the rest of the world and what the real, breathing version of it is.

A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.

I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.

Take a look around, then, and see that none of the uninitiated are listening. Now by the uninitiated I mean the people who believe in nothing but what they can grasp in their hands, and who will not allow that action or generation or anything invisible can have real existence.

There's a real connection between the history of print in Europe and nationalism, and how those two things could be formed. I think they may both now be ending, for good and bad, but I think mainly for good. Either globalism was supposed to make people all realize this is one big business going on and we should know what's going on everywhere, or it makes people say, "I don't want to become part of this thing. I want to be incredibly different from you and I want to uphold my local behavior." Dress a certain way.

I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.

My goals in Holland were known as 'stiffies', which means something quite different in England of course.

Talk to me 20 years ago and I had a complete sense of illegitimacy as an American Muslim. I felt like I wasn't authentic. But I don't understand and I don't believe or subscribe to this idea that I don't have a right to speak as a Muslim because I'm an American. Being Muslim is to accept and honor the diversity that we have in this world, culturally and physically, because that's what Islam teaches, that we are people of many tribes. I think the American Muslim experience is of a different tribe than the Saudi Muslim world, but that doesn't make us less than anyone else.

In dealing with those nations that break rules and laws, I believe that we must develop alternatives to violence that are tough enough to actually change behavior -- for if we want a lasting peace, then the words of the international community must mean something. Those regimes that break the rules must be held accountable. Sanctions must exact a real price. Intransigence must be met with increased pressure -- and such pressure exists only when the world stands together as one.

It is my duty to say: Something has to change. I say that very directly, in clear words so that nobody can misunderstand me. And I believe in our new initiative for continuing education and vocational training. For French people who are socially disadvantaged, this means real recognition and support.

I have always been in favor of a healthy Americanization, but that does not mean a complete disavowal of our German heritage. It means that our character should take on the best of that which is American, and combine it with the best of that which is German. By doing this, we can best serve the American people and their civilization.

Japan offers as much novelty perhaps as an excursion to another planet.

In politics, people throw around the word 'friend' so much it often has little real meaning. This is not one of those times, when I call Jeb Bush my friend, I mean he is someone I like, care for and respect. He and I have worked closely together for many years, on issues big and small. He is a passionate advocate for what he believes, and I welcome him to the race.

I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.

It's very important to feel foreign. I was born in England, but when I'm being a writer, everyone in England is foreign to me.

We have to realize our black heritage in order to give us strength to move on and progress. But as far as returning to the old African culture, it's unnecessary and it's not advantageous in many respects. We believe that culture itself will not liberate us. We're going to need some stronger stuff.