Walter Dean Myers Quotes

Any alphabet book for children where 'P is for Patti' Smith and 'X is for the women whose names we don't know' is something I can recommend, especially when the book is as well written, representationa lly diverse and vividly illustrated as this one.

In a television interview, I said that diversity in our children's books should include the adventures of disabled children, travellers and gipsies, LGBT teens, different cultures, classes, colours, religions. It shouldn't be a token gesture, nor do such stories need to be 'issue-based'.

Whiteness is not the default in my fiction.

Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth.

It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

I’m one of those very lucky people who absolutely love what they do for a living. There is no career better suited to my eccentricities, strengths, and passions than that of a children’s book author.

I am convinced that not only do children need children's books to fine-tune their brains, but our civilization needs them if we are not going to unplug ourselves from our collective past.

I think the Harry books are actually very moral, but some people just object to witchcraft being mentioned in a children's book.

I came to New York to see what I could see - that's from a children's book, isn't it? - and to find the living part.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

I sort of feel like that's the most revolutionary thing we can do with our narrative for me as Black people is to show that we are just like you.

A children's book is the perfect place where young readers can understand the world because they can take a deep breath and look at it and imagine and contemplate while they're looking at.

I don't know how to write a children's book.

I hope to encourage more children to discover and love reading, but I want to focus particularly on the appreciation of picture books…. Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book.

And so I write the way I myself would like the book to be – if I were a child. I write for the child within me.

Sometimes I wish the public were equally aware of the men of our race in the cultural fields. You, for instance, have you ever bought a book by a Negro writer?

I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own.

In real life, I knew that fandom was made up of women, and women of color, and women of all ages. But on the publishing side of comics, it was a lot of white, straight men. It was often jarring to me to be the only women at a meeting or at a panel at a comic-con. Fortunately I had mentors who were not blinded by my gender and who said, "Yes, we know you can write these books." That hasn't been the case for everyone. What gives me great hope is that in the eight to nine years since I've started, I've seen tremendous growth.

When a child keeps asking you to tell him/her a story, what they instinctively really want to know -- is their true purpose and mission in life. Sadly, this knowledge was never sought out by their parents, and explains why childrens books are a very hot and lucrative industry. Instead of telling your child the truth of our history and existence, you are conditioned by society to simply read your kid a fairytale.

Ninety percent of the children’s books patronize the child and say there’s a difference between you and me, so you listen to this story. I, for some reason or another, don’t do that. I treat the child as an equal.

Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story.

You may be surprised to know that growing up, I wanted to be a writer of children's books.

Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.

I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.

Censors never go after books unless kids already like them. I don’t even think they know to go after books until they know that children are interested in reading this book, therefore there must be something in it that’s wrong.