Malorie Blackman Quotes

There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.

Starting on February 1, 2010, and running through until May 30, I will be Toronto Public Library's Writer in Residence, working out of the Merril Collection of Science Fiction, Fantasy, and Speculation at the Lillian H. Smith branch at College and Spadina.

Once, I optioned a novel and tried to do a screenplay on it, which was great fun, but I was too respectful. I was only 100 pages into the novel and I had about 90 pages of movie script going. I realized I had a lot to learn.

The great fun in my life has been getting up every morning and rushing to the typewriter because some new idea has hit me.

I used to want to be a children's writer, because I would have all these great ideas when I was little, and I'd write them and draw them, and turn them into class.

I think what happens to young writers is that they use up every life experience that they have had up to that point for their first novel. Then you have to come up with something for the second novel, but you really don't have anything to say.

In every novel, I write about something - a place, an experience, an emotion - with which I'm intimately familiar, but it's also crucial to me that I take on challenges. If write only inside my comfort zone, I'll suffocate.

I write about people I think are interesting, and then I discuss it with my editor, and she decides if she thinks it will be interesting to children as well. If I have no great interest in the subject, I find the work to be terribly boring. And if I find the person interesting, I love the research part and, by extension, the writing as well.

The most difficult book I wrote was the fourth in a series of linked children's books. It was like pulling teeth because the publisher wanted exactly the same but completely different. I'd much rather just do something completely different, even if there's a risk of it going wrong.

Of course I planned to write the Great American Novel; that lasted about a week, at which point I decided I had nothing to say that could possibly qualify. So I wrote a romance instead.

As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.

I was never a great reader, but there were two stories I loved best: Kipling's 'The Elephant's Child' and 'The Jungle Book.' Deep down, I've always wanted to write a book about a wild child and an elephant.

Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.

I think that the mark of a great book is that it will meet you wherever you're at and you'll feel and experience something new and different each time you read it.

But, for instance, when I was awfully young, I read all the Oz books. They were an enormous influence on me.

Inspiring passion in children for books, and the world of imagination and creativity fuelled by them, is a fundamental reason for why the Children's Laureate post exists.

I think that most of the children's writers live in the world that they've created, and their children are kind of phantoms that wander around the edge of it in the world, but actually the children's writers are the children.

I think probably you can either write for kids, or you can't. That ability to imaginatively be a child and see the world as a child and feel and think like a child - you either have that ability or you don't.

My best advice for writers is: Have your adventures, make your mistakes, and choose your friends poorly - all these make for great stories.

I have some great stories and I will get around to writing a book.

I love to write what I see and what I do and what I experience, and I like to see if people can relate to that. I don't know if I am as good at making up a story in my head that has no truth to it, so that is a challenge for me.

It's great fun if you get a good piece of writing and you can pretend to be someone else, tell a story that needs to be told, make some kind of connection. I've always fancied myself as a leading man, but I really doubt whether anyone else sees me that way.

The great thing about making picture books is that you can make absolutely anything you want happen. It's a bit like making a film, but you don't need lots of money for actors and costumes - you just need pens, paper, and your imagination.

Sometimes I think that novelists suffer from P.C.S.: Perpetual Childhood Syndrome.

I would, however, start writing fiction about 10 years before I actually did, because it's such great fun to do, many times more creative than nonfiction.