Kevin Mitnick Quotes

In the animal kingdom, one of the keys to survival is to outwit your enemies. And when you're surrounded by carnivores, one of the best strategies is to fade into the background and disappear.

My hacking was all about becoming the best at circumventing security. So when I was a fugitive, I worked systems administrator jobs to make money. I wasn't stealing money or using other people's credit cards. I was doing a 9-to-5 job.

I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way.

I said, 'I'll give myself two years. If I can't support myself as an actress within two years, then I'll go back to choreography.'

I like the idea of not having to do stuff for the money, and if I want to, I can pick indie projects for the rest of my life and be quite happy doing that.

I don't see myself as a moviemaker only, you know? When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live.

If I avoid anything, it's that I don't really go to places that are like a little corner of England. I also never mind going to a dance show because I love it all so much.

Tramping is too easy with all this money. My days were more exciting when I was penniless and had to forage around for my next meal... I've decided that I'm going to live this life for some time to come. The freedom and simple beauty of it is just too good to pass up.

I have a master plan as an artist. I've always said I'm not going to be punching nobody's clock. I will work as an artist to survive in this world.

My body is my art, and it's also the tool that I use to make money.

I think I made $55 a week, and it was bliss... I was doing theater. It was all I ever wanted to do. It was so much fun, and you got paid for it, and you met people, and it's the greatest education in the world. And in my little Greenbrier station wagon, I felt very much like a troubadour.

One of my aims was to be paid as well as a plumber. Plumber was better-paid than any performance artist who was always doing this for free. It is so important to make a good living from art. You know, John Cage, until he was 60, he couldn't pay electricity.

I wrote a play that I directed and I was in, and I paid for the sets and the costumes and to put it up in a theater all through modeling. It really afforded me a lot of creative control in my life.

Musicians are kind of like pirates, you know? You have to be free to follow whatever your muse is, or wherever life is pulling you - especially if you aren't in, like, U2, and making millions and millions of dollars.

I wanted to be a rocker and photographer and tour the world!

Thank God for jazz. It gave black women what film and theater gave white women: a well-lighted space where they could play with roles and styles, conduct esthetic experiments and win money and praise.

I'm really an artist. I really do this. I don't need the money. It doesn't matter to me.

A real New Yorker is always someone who came here from somewhere else to avoid some kind of persecution, often sexual-preference based, or to be discovered in one of the infinite-though-no-longer-thriving alternative scenes, i.e. theater, music, dance, vaudeville, art, drag, or, in those of the greatest egos, to be 'the next Andy Warhol.'

I can't speak for all queens, but Sharon Needles is definitely a different entity from me as Aaron Coady.

When I was asked to take part in 'Celebrity Hunted' I jumped at the chance, who wouldn't want to run wild around the U.K. for two weeks being chased by a top secret service type team, whilst raising money for a cause very close to my heart - cancer.

Busking is the essence of what I do. It's made everything possible.

I started acting as a way to support myself.

I knew exactly what I wanted to do since I could remember. As a kid, if my friends came round after school for dinner, I'd put on shows; I'd write plays and charge the parents £1.50 for a ticket for sweetie money.

But I smiled, and smiling was easy, no matter how strange and disorienting the street seemed to be. I was a fugitive. I was a wanted man, a hunted man, with a price on my head. And I was still one step ahead of them. I was free. Every day, when you're on the run, is the whole of your life. Every free minute is a short story with a happy ending.

To be truly challenging, a voyage, like a life, must rest on a firm foundation of financial unrest. Otherwise, you are doomed to a routine traverse, the kind known to yachtsmen who play with their boats at sea 'cruising' it is called. Voyaging belongs to seamen, and to the wanderers of the world who cannot, or will not, fit in. If you are contemplating a voyage and you have the means, abandon the venture until your fortunes change. Only then will you know what the sea is all about.