RM Quotes

People have misconceptions about Marilyn Manson, of course, but they can think what they want.

I think people don't understand that comedy is an outlet for me. Comedy allows me to get outside of myself, and exercise this thing that is still kind of scary to me.

I don't feel any pressure at all because I don't care. That's an occupational hazard... but if you're doing anything of any worth, and not doing something that's safe and anodyne and trying to be populist and a national treasure, then you've got to assume that as many people hate what you do - and you - as like what you do and like you.

It's been great to come to the U.S. and not have people judge me because of what they saw or heard when I was 16 and on a TV show. They're actually judging me on the fact that I can sing and how my personality is now. Which I think is great.

I kinda like this Jay-Z thing, where he’s retired, but he keeps doing shows. I think I beat him to that. If you say you’re retired, people don’t bother you so much, and then if you want to do something, you can do it.

Hip-hop is such an amazing thing that kids still want to do it. They're not saying, "Ugh, that's the old people's music." No, they're younger than they've ever been that want to get into hip-hop music.

On the BSkyB bid, Rupert Murdoch is now in town in London seeking to sort things out. I would simply say to him, look how people feel about this. Look how the country has reacted with revulsion to the revelations. So do the decent and sensible thing and reconsider, think again, about your bid for BSkyB.

People think I'm a Simpsons character.

I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.

My main concern is that there is a balance in the system and that some art-based hip-hop can get out to the masses, 'cause right now people are not responding to what they don't know. Most people are just afraid to think on their own.

I don't think Mike Tyson's a bad guy. I think the people, the media, makes him out to be a bad guy.

I think a diversity of expression can only be good, so I think the more that people write about their experience, use their imagination to deal with their experience, you know, I think that's going to be good for not only for those authors but also for people who are interested in trying to understand it.

The thing about hip-hop is they always want to classify you as one particular artist, but hip-hop is about going outside the box and expressing yourself however you want to.

I think 40 years ago, it would have been a little bit different because people had a tendency to think the actor was their part. I do find people who, all of a sudden, realize who is sitting in the restaurant and the first thing they react on is not necessarily, "There's that actor," but it's, "There's that killer guy."

Where I think Milo [Yiannopoulos] ran into trouble -when word spread that Milo had been invited to be the keynote speaker at Conservative Political Action Conference. I think CPAC, by inviting Milo, was an attempt to reach out to Millennials. I mean, they know. I know plenty of young people that think Milo is great, love Milo, admire Milo, think he's courageous doing what he does.

What other people think of me is not really my major concern in life. What other people think of what I write is another matter.

I honestly do not think about celebrity or image or sexual expectations on me. It only comes up when people have a list of questions. But what I am told is that there is a quality that I have onscreen, where it's a little bit of everything.

America, you know, they always separate people because of race. They've been able to convince, 'The niggers are coming.' You know, the diversity that America has is so special. It's starting to really become a cool thing for young people. Not only because there are more mixes of people, but because people are more open-minded about each other. So I think in the future, America has a great, great opportunity, and mostly because of hip-hop.

Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.

A lot of people thought I got famous as a studio artist, then decided to cash in on it. But it actually was just a matter of survival for many years, and I felt it was really important for me to be able to say whatever I wanted with my street art and fine art.

It's not what you are in Hollywood - it's what people think you are.

I think that people don't make the most of their lives. So, you know, for me, it seems like it's the beginning of me rattling the cage, of making some people nervous. And people are strategically trying to do things to mute my voice in some way or make me look like I'm a lunatic or pinpoint the inaccuracies in my grammar to somehow take away from the overall message of what I'm saying.

Unfortunately, you're helpless when people interpret your work wrongly. There are simply people who can't or won't understand or accept what you're trying to do. When you take the risk of expressing yourself in public, you have to open yourself to that possibility.

I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.

However, I have a lot of greed. The types of music I want to show are on this side and on that side. Conclusively, if I'm able to make good music and people continue to look for my music, won't this kind of controversy get better... is my thought.