Sharon Olds Quotes

A poem may be worked over once it is in being, but may not be worried into being.

I call it a process of elimination. You're nurturing ideas, and that takes time. What happens is there's so many, what I say, 'great ideas.' What you have to do is try to consolidate them and put them into one song, and then your song becomes eight minutes long.

I really like writing poetry and lyrics because it's one thing where I give up control. I don't feel like I need to be in control of it. I just sort of let it happen, and then I know when it's done. I know when it's finished.

It doesn't necessarily take four years to write a good piece of music. It might take four hours. It just depends on when your inspiration comes.

I don't go get a poem. It calls me and I accept it.

I have all these computers and keyboards and synthesizers, and I rattle away. For instance, with The Lion King I wrote over four hours worth of tunes, and they were really pretty -but totally meaningless. So in the end I came up with material I liked. We worked on The Lion King for four years, but I wasn't toying until the last three-and-a-half weeks properly. On Crimson Tide, on the other hand, I just went in and within seconds I knew what I wanted.

I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.

So the only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost. All the wrong environment will do is run his blood pressure up; he will spend more time being frustrated or outraged. My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whiskey.

Waiting is part of writing. When I write the word 'waiting' by hand it even looks like 'writing.'

Someday I would love to write about Vincent van Gogh - his paintings and letters continue to inspire me very much. But it remains hard to find the time and inner rest to write.

With all the touring and distractions going on, I would get a sound together but I wouldn't have time to work on it. So I sat on the road with the sketches and saw how they revealed themselves emotionally.

But it's silly to suggest the writing of poetry is something ethereal, a sort of soul-crashing, devastating emotional experience that wrings you. I have no fancy ideas about poetry. ... It doesn't come to you on the wings of a dove. It's something you have to work hard at.

You can't write poetry on the computer.

That's how I always try to start my thoughts. I write them down first, eventually it turns into a poem, and if I feel like composing something to it, then I do that.

As an artist, I move along in my life, into whatever things I'm doing, and I hear things where it's like, "Oh, that'd be a great [song] title! I'll use that!" So I keep a running list of titles on my computer. I've got these words and phrases that just sustained my interest. So I'm a step ahead, really, with the titling!

Writing is?waiting for the word that may not be there until next Tuesday.

Money to a writer is time to write.

I've found that there isn't any correlation whatsoever between the hours put in and the quality of what comes out. Most of the Beatles' songs probably originated in about five minutes.

There's very little of the intentional about the business of writing poetry, as least as far as I can see.

Everything's a film idea if this is what you do.I've always been secretly confident that I'd never run out of ideas,because I've never had any. I just live my life, see things theway I do, and I'm just looking for a notion to hang it all on.

A lot of artists need structure.

Nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius.

I can write anywhere really. I have a hard time writing when the birds are tweeting and the brooks are running outside. I've tried that several times, for months at a time, trying to write in a quiet, wonderful place where birds are twittering and coffee's brewing. And nothing happens. But if I'm in an old dump like my old apartment and I can't find my fingernail clippers and nothing's working except the old tea maker, that's just great. You always have to find and live in a place that's a little uncomfortable when you're a writer. You need a burr in your side.

Sometimes I start with a great title or idea, sometimes a great melody will run through my mind; but the higher percentage of the time, the words and music pretty much come at the same time.

Songwriting is never one thing. I've spent as long as three months writing a song. Other times I've done it in twenty minutes.