John C. Maxwell Quotes

Most people don't know what they want or feel. And for everyone, myself included, It's very difficult to say what you mean when what you mean is painful. The most difficult thing in the world is to reveal yourself, to express what you have to... As an artist, I feel that we must try many things - but above all, we must dare to fail. You must have the courage to be bad - to be willing to risk everything to really express it all.

I think artists need the freedom to fail and I gave myself that freedom.

The best roles have risks... and those are the parts I'm interested in.

Young players need freedom of expression to develop as creative players... they should be encouraged to try skills without fear of failure.

The most important thing we do to encourage innovation is give people the freedom to fail. And I think you can articulate that and establish that as a value in a lot of different ways. I don't want to say celebrate the failures, but in a lot of respects, it's sort of that.

That's the beautiful thing about being an artist, is you can take risks and take chances and hopefully be secure enough to just keep going with it if you fall flat on your face.

Well, coming at a new work requires a certain amount of patience and energy, and there’s always the risk of disappointment. You can’t really blame people for preferring more of what they already know and like. The trade-off, of course, is that predictability is boring. Repetition is the death of magic.

If we are not willing to fail we will never accomplish anything. All creative acts involve the risk of failure.

I’m an actor who’s accustomed to bringing a lot of stuff to the table, and you have to be ready because some of them will be accepted and some of them will be rejected. Then you need a generous, free, fearless, loving director like Tarantino to allow you to take those risks.

There can be no freedom without freedom to fail.

The best stuff happens when you take a chance. When you risk something and do the thing that the other people are taking a chance on, on a network kind of level, they will be rewarded. You know, risk-reward.

I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.

Prudence does not make people happy; it merely deprives them of the excitement of being constantly in trouble.

The right to take a chance, the right to suffer. The right to be unwise, the right to die. These aims are hateful to the government, which values ever frightened mouse and falling sparrow as equal to a tiger burning bright.

You know, you have Scorsese who worked with De Niro and - or DiCaprio. You have William Wyler who worked with Bette Davis. You have George Cukor who worked with Katharine Hepburn. I just - people get to be friends and then there's a - that's a - you can take risks together and each time out you take a different risk.

I've failed a million times on stage. I've listened to notes that I knew weren't right. I've pitched ideas and let other people change them, knowing that it was the wrong choice. The question you have to ask yourself is: How do you want to fail? Do you want to fail in a way that feels like it respects your tastes and value system?

Great people do things before they're ready. They do things before they know they can do it. Doing what you're afraid of, getting out of your comfort zone, taking risks like that - that is what life is. You might be really good. You might find out something about yourself that's really special and if you're not good, who cares? You tried something. Now you know something about yourself.

We are alive and need to take risks. And if we fail, so what? Who cares? It doesn't matter. Learn and move on without judgement.

A writer has to take all the risks of putting down what he sees.

People who take huge risks aren't afraid to fail. In fact, they love to fail. It's because failing means they found the edge.

I'm an indulgent writer - I'm not sure, however, that's something I'm interested in changing. Writing should be indulgent: you should take big risks on the page, you should make big mistakes, you should be excessive at times. I let myself do as a writer what I probably would be less likely to allow as an editor.

I think that, especially with cable, it's an avenue to be creative. I think why people are drawn more now to cable shows than ever is that they take more risks, they're creatively pushing the envelope. I think that the networks have to answer to a bigger advertising calling, whereas the smaller cables have lower ceilings that they can bump their heads on.

I like taking risks and I decided to put every bit of me into the role.

[...] My wild words slip into fusion and risk losing the solid ground. So stranger, get wilder still. Probe the highlands.

The studios still had development programs for young people. Because you weren't talking about the budgets of small nations the way you are now when you make a movie. There was a lot more freedom to fail.