Dylan Sprouse Quotes

Auditioning is the worst.

Auditioning for 'Philomena' was such a traumatic experience because I had three callbacks, and I was absolutely positive that I was just an option.

If you go to a game nervous, you make a mistake.

We don't get too nervous for too may things, but on television a few million people are sitting there watching. Definitely a lot more nerves.

Auditioning is so nerve-racking.

I think I'm always nervous, even if I play not on the center court.

Sometimes when you go into the match, you want it so badly. I think sometimes is tricky. It makes you a little bit, like, tense and nervous.

For my TakeOver matches, I was always just a huge mess, a huge ball of nerves.

It's impossible, when one team and one player is afraid of something that might happen in a match, they will not play well, they will not have 100 per cent confidence.

I think all actors get scared because we're frightened to disappoint.

I am certainly suffering from a modicum of performance anxiety.

I'd auditioned for the National Youth Theatre and I didn't get a place and it was terrifying.

Words can't describe how one would feel in that moment after doing a test for something you really want but in your heart you don't think you have a chance of getting.

I have had so many bad auditions.

I'm always thinking 'Don't mess this up.'

I think it's one of the main negative emotional ingredients that fuels show business, because there's so much at stake and the fear of failure looms large.

I normally feel relief that I didn't die onstage or forget all my lines. Then I start remembering that I have to do it again sometime, and it'll probably not go as well.

Show business is, essentially, a fear-based industry.

It's hard to act terrified when you have 200 crew members around you.

I'm nervous whenever I perform.

I hate auditions.

Before every performance I feel nervous.

Since this our first show, I think they'll see us sweat a lot.

I'm afraid that I won't do a good job when I go into an audition.

For the first six or eight months at Juilliard I felt paralysed. I didn't know what I was doing.