Chris Cleave Quotes

As a child growing up in World War II, I was very moved and stirred by what was going on, but I distanced myself from history. I regarded history as just one more subject.

I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.

The people who write official histories for the Army believe that a generation needs to pass before you can tackle the official history. It's useful to have some distance. Sources become available. Passions cool. It allows an opportunity to make some real assessments and judgments about personalities and characters.

There must be people who remember World War II and the Holocaust who can help us get out of this rut.

If people like your music, you can't guarantee they're going to love you.

As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.

In such a climate, no one who held a position of responsibility in the Manhattan Project could doubt that we were trying to perfect a weapon that, however repugnant to us as human beings, could nonetheless save untold numbers of American lives.

It's kind of like an out of body experience, watching my words being spoken by the actors, watching the portrayal of me by John David Washington.

None of the characters I played was very close to me as a real person.

I remember going to the university film club to see 'The Life And Death Of Colonel Blimp' one night and being bowled over. It was one of the most beautiful films I'd ever seen. And it felt so personal.

I'm a Veteran. I was in the Navy, in the submarine corps. I come from a military family. Both of my grandparents were in World War II and retired as officers. One fought in the Pacific and one fought in Europe. The whole family was in the war. I grew up exposed to it and hearing the stories, but the stories I heard weren't kind of the whole "Rah, rah, rah! We saved the world!" They were about the personal price and the emotional price.

Even when I detach, I care. You can be separate from a thing and still care about it. If I wanted to detach completely, I would move my body away. I would stop the conversation midsentence. I would leave the bed. Instead, I hover over it for a second. I glance off in another direction. But I always glance back at you.

I'm not a World War II buff. I know a little bit about it, I was taught the other side of the story in school, so it was unfamiliar to me, the idea of a German resistance, and yet it was considerable.

When I was growing up, there was a man who gave me lessons and things. I'm very dyslexic so he used to give me extra reading and writing. And he always knew that I was interested in stuff but he never told me that he was in the Second World War himself. One day he gave me his helmet that he had worn through the North Africa Campaign. It was just before he died. So I've got his helmet. That was pretty special to me.

Brutus, I do observe you now of late: I have not from your eyes that gentleness And show of love as I was wont to have: You bear too stubborn and too strange a hand Over your friend that loves you. Poor Brutus, with himself at war, Forgets the shows of love to other men.

Usually, when you're in a movie, you're disconnected from it. You're never going to feel what you felt when you made it.

Before America entered the war [WW2] I knew we could not win it, but after she entered I knew we could not lose

Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.

My grandfather died in the war, my family went through the war, and it affected my parents in really profound ways. I've always wanted to write about that period - in some ways to digest it for myself, something that defined me but that I didn't go through.

I tried to put things in perspective but sometimes you're just too close to it.

Growing up during World War II certainly affected my whole view of life, but I hardly know how, it goes so deep. What's hard to explain now is that, though we were never invaded, and bombed only once and ineffectively on the coast of Oregon, everybody in the country was in that war. Everything we did was influenced by it - eating, traveling, dressing, thinking - everything in daily life.

From Britain's point of view the 1939 war had been a liberal war which had been entered into in a condition of moral indignation without the resources to fight it, that it had been providential good fortune which had placed the burden of fighting on the Russians and the Americans.

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»

To be able to take my pictures, I have to look, all the time, at the people and places I care about. And I must do so with both ardor and cool appraisal, with the passions of eye and heart, but in that ardent heart there must also be a splinter of ice.