Thomas Rhett Quotes

I wanna go play my music in a club.

I don't mind traveling that much when I can go somewhere and stay there for a while, but touring is different. You rarely see anything. You get there early in the morning and you're resting all day, and you go in and do a sound check, and you do the show, and then bam you're gone.

Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.

Of course, we also have to play in concert halls. This is our dream when you are a musician - to play in a good, comfortable hall with a wonderful acoustic.

The Old Vic is a beautiful theater to work in. It's quite a large house, but it has a feeling of intimacy.

We'll open for anyone, we are just looking to play.

I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.

It was my first time in Kansas City. In about two or three days I had a gig at a place called The Monroe Inn.

Everywhere in the world, music enhances a hall, with one exception: Carnegie Hall enhances the music.

I am usually a pacer. I go to the balcony to check the sight lines way up there, to check the sound system to see how the balance is.

When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons.

Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them.

I've been to Vector Arena, and I've seen it. I've stood in the middle and just appreciated the space, appreciated the volume of the place.

The Smith Center is a theater where you want to keep the lights on. The acoustics are amazing, and this is a stage that was built for sound.

I like Copenhagen, just because my shows there have been really good for some reason. Not that I love the city itself, but every time I play there it feels amazing. Pretty nice people there.

If you want a good play and a show, you need time to prep for it. Artistes must be allowed to practice without being charged for the practice sessions. Let the auditorium charge for the tickets.

I just take every script as it comes along and take it from there.

We are always fortunate to have our own sound folks with us that do a great job in ensuring that everybody can hear and the sound is good.

We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.

Performing outside is always kind of strange. Usually, you can't hear something, whether it's your voice or instrument, but it's a fun challenge.

It takes different mindsets to do different things.

Every experience you have in life can be applied to different things.

The reality about shooting films is that you can shoot many jokes and decide later which one works. So it's not worth fighting about jokes.

Sometimes you try different things when you play the best ones many times and you lost a few times, so you have to change sometimes.

One day I'm going to open up a club or a concert venue where it's all ages and really fun. That'd be awesome.