Ian MacKaye Quotes

If I go see a band, and they play, like, zero from any of their old albums, I'm very happy about that. I do not want to see the bands of my youth playing the songs of my youth. I hate that.

I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'

The Beach Boys were my favorite. I use to listen to their hits over and over, especially 'In My Room' and 'Don't Worry Baby.' There's something really sad about 'Don't Worry Baby.' Even though it's just a California song about racing cars, the melody is really sad. There's melancholy in it.

I ran into Axl [Rose] at a club some year ago and told him he's crazy, we all miss them, and he needs to get the band back together.

I love seeing young girls and their parents and grandparents at my concerts all loving the music from Grease when I perform those songs (and yes, I do perform a bunch of them!).

My favorite Dylan song? I think it's 'Just Like a Woman.' It always makes me cry.

I don't get into the favorite songs thing, because so many speak to different parts of my life, but the music in the '90s is just unbeatable.

Our dad played us a lot of old country songs by The Carter Family and he would sing along to it. I loved listening to him sing.

As for music and my place in it, maybe things are changing a little bit. I know this: a good song is deeper than a tattoo. It'll remind you of the car you're driving and the girl you're going around with and the streets you're cruising. It's better than a photo album. A song is a tattoo that you never lose. 'Ice, Ice Baby,' man, you'll remember that when you're 90.

I am not dogging on non-melodic pop music because I love it, but I am saying that is why the timeless songs are still here. It's because of the melody. As far as what shouldn't be brought back, the high-waisted bikini bottoms.

It's nice to know that you're worth something and music really does put that kind of light back into you. Well, it does for me anyway. I've been through some very interesting times in my life and there is certain songs that I go to and I'm like, ok, it's not that bad.

It would be so nice to write songs that end up being timeless.

So every time I make a new circuit, a new time around, then I change the show. You can't change the songs; people still want to hear "Lady Sings the Blues" and they still want to hear some of the oldies.

I love whenever they downgrade a hurricane to a tropical depression, because I always think of a tropical depression as how I feel three songs into a Jimmy Buffett concert.

[The music is about ] for the purpose of getting people to an excitement level. They feel something, they feel emotions. They're going to go home after that concert and remember it.Maybe they got something out of the experience rather than intellectualizing about what songs mean which is the whole head trip.

I had funny memories, too, but the music was more important to me than anything else.

Brian Hyland just happened to be playing in our town and that song [ "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini"] was really big. And I got to go back by the stage door, and he autographed a piece of paper for me and I just, I went crazy.

It felt like an indulgence. Going back was painful, but, at the same time, it was nice to live with them again for a few pages. I got to live with my brother again for the entire book. Of course as I'm writing the book, I'm getting closer and closer to the end and I know what that means. I knew exactly where I was heading. It was really difficult, but it was nice to make them come alive for those scenes. It was good.

I do write nice songs about the guys who are nice to me! Eventually, I'm sure one of them will write a response - that's a pretty scary concept, actually! But I make sure I only write bad songs about the ones who deserve it.

I'd trusted my fan base, I'd trusted the my gut, and I'd trusted the music. ...the real experts are out there in front of you every night. They're the ones buying the tickets and coming to the shows. They're the professionals in this business, and they're the only ones who can tell you which songs have the ability to move them.

I listen to all of my Dutch happy-hardcore songs from my raving techno days when I was about 14. It's the most horrible music ever. I think it's some kind of muscle memory that brings me back to when I was 14. It makes me bounce around the gym quite happily.

The most incredible thing about playing the songs live for people - looking out to the crowd and seeing the different reactions and the different heart-strings and the things that people are relating to that mean something to them, that's crazy.

I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.

I love metal songs about metal. That's one of my favorite things. Nobody does that any more. Nobody sings about how metal they are, or about their fans, or about how crazy their pits are.

I think the zenith of popular songwriting to the United States of America was that period that started in the '20s and went into the '50s. It was the period of the great American standard song.