William Klein Quotes

Fitzgerald was a modernist.

For me, Fitzgerald was one of the great American writers of the last century; a wordsmith, a storyteller, a perfectionist.

I don't know a writer who doesn't feel some sense of glamour and magic and a complex, wistful sadness emanating from the expats of the twenties in France. Some of the sadness, of course, is that we weren't there.

I read a lot of F. Scott Fitzgerald. I love 'Tender is the Night,' and its atmosphere of doomed romance. He was one of the greatest prose stylists, with a wonderfully clear but lyrical quality.

I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.

When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.

How about your favorite book?" "This Side of Paradise by From. Scott Fitzgerald." "Why?" "Because it was the last one I read." This made them laugh because they knew I meant it honest, not show-off. Then they told me their favorites, and we sat quiet.

You can't not like 'The Great Gatsby.' It's got the best sentences in, like, ever.

I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.

'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.

The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.

I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.

I'd like to do Nicole Diver in F. Scott Fitzgerald's 'Tender Is the Night,' if that ever gets made.

Images sometimes capture particular periods in history. The unreachable green light, beckoning from across the bay in 'The Great Gatsby,' has become a symbol of the yearning of America in the 1920s.

You are all a lost generation," Gertrude Stein said to Hemingway. We weren't lost. We knew where we were, all right, but we wouldn't go home. Ours was the generation that stayed up all night.

You are all a lost generation. [with credit to Gertrude Stein]

I would quite like to have been a 1920s writer.

Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.

I originally wanted to be F. Scott Fitzgerald, but failed.

I'm a long time [Scott] Fitzgerald fan, as probably everyone in America is. And I've always been fascinated by that theme of, what is the price of the American dream and what parts of your soul do you walk away with? The conflict of art versus commerce was also very interesting to me.

I worship F. Scott Fitzgerald and I love his writing.

Picabia is a very old painter who some people try to connect me to, but I refuse such comparisons very well.

One gets the impression that this is how Ernest Hemingway would have written had he gone to Vassar.

At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.

'The Great Gatsby' ticked so many boxes for me.