Philip Larkin Quotes

It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

I . . . am always half afraid of finding a clever novel too clever--& of finding my own story & my own people all forestalled.

The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.

We're all standing on the shoulders of what other people have done. But you're supposed to take that and add your own sauce. It can be intimidating, believe me.

I actually believe that a lot of what people call originality has to do with persistence in the craft.

A lot of people believe that you don't need to know the history and that creates newness. I disagree: we should always be informed and then destroy it.

You have to treat it like a fresh character. Sure, there are guidelines so that you don't upset people, but you have to find your own way.

The business community wants remarkable advertising, but turns a cold shoulder to the kind of people who can produce it. That is why most advertisements are so infernally dull.... our business needs massive transfusions of talent. And talent, I believe, is most likely to be found among nonconformists, dissenters, and rebels.

Creative people are often considered crazy but I believe crazy can be a good thing.

It's easy to see that two people might come up with that same idea.

What people have to make sure of is that they're not replicating something that already exists. You really have to ask yourself: "Is there a point in me doing this? Has this already been said before? Is this moving things along or is this just adding to the giant pile of junk that's already there?"

Advice for young people who want to channel their personality into creative work - be authentic.

Invention is the pleasure you give yourself when other people's stuff isn't good enough.

People go to the movies to see things they haven’t seen before. Call me a radical.

There's so many people out there who try to imitate what I do but I am the original.

I'm not defining my band by other people's music, but by my own.

People are imitative and imitation is bound to be unintelligent. They want to do exactly the things which others are doing. That destroys their freshness. Do things in your own style; live your life according to your own light. And even if the same situation arises, be alert to find a new response. It is only a question of a little alertness, and once you have started enjoying... and it is really a great joy to respond to old situations always in a new way, because that newness keeps you young, keeps you conscious, keeps you non-mechanical, keeps you alive.

We're just gonna keep making things and challenging ourselves to make them more cheaply and more renegade and more interesting. That's the only thing we might challenge ourselves to do in the age of so many movies and so many TV shows. We're aware that we're asking time of people to watch stuff, and that there's so much stuff to watch, so we're gonna try to offer you something unique. And it may not always succeed, but it will definitely be different.

When somebody comes up with a progressive idea, to begin with, you're mad, bonkers. Then if you go on, you're dangerous. Then there's a pause. Then you can't find anyone who can say they thought of it in the first place. That's how progress is made. This is why I do believe in the vote. In the end, all these people who've been tempted to the right realise the warning lights in their constituency are brighter than the bright lights from No. 10 offering them things.

It's impossible for me to feel like there's only one way to do a thing. There's nothing wrong with having one way of doing it, but I think it's a bad habit. I believe in range. Like, there's a lot of tunes that I play all the time-sometimes I hear 'em in a different register. And if you don't have complete freedom, or you won't let yourself get away from that one straight line, oh, my goodness, that's too horrible to even think about.

Take it from your own life, write what you believe in.

I think America is really well-positioned, because we do train people to be creative and sometimes resist authority, which helps in being an innovator. I think you're going to see for the next phase of the revolution all sorts of wonderful ways of connecting art and literature and journalism into new forms of digital expression.

Always zig when people expect you to zag. Confound them!

If I had to give you one piece of advice, it would be this: don’t be intimidated by other people’s opinions. Only mediocrity is sure of itself, so take risks and do what you really want to do. Seek out people who aren’t afraid of making mistakes and who, therefore, do make mistakes. Because of that, their work often isn’t recognized, but they are precisely the kind of people who change the world and, after many mistakes, do something that will transform their own community completely.

My works have always been unjoined. People were always making variations of my works, and I just said, "I don't want to know." You can't put limits on those pieces. You can't be there all of the time when they're installed.