Sajid Nadiadwala Quotes

Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.

I'd love to work with Tom Cruise.

When I'm on a picture, I have two bosses - the director and the producer. My co-star is not my boss.

As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.

I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.

I have got good films, and I am thankful to Aditya Chopra. He put a lot of faith in me.

More than anything else, I love to act and leave the rest to my director.

Vijay Sethupati has been a part of almost all my films. He trusts me blindly, and I feel the same trust in his abilities each time.

I am very pleased to be working with director Woo.

I'll be working with Ridley's [Scott] brother, Tony, again, someone who needless to say we've had a great amount of success together. I trust him - so I won't have to think about it or I'll try not to.

In some way, the relationship between a director and an actor is personal.

I don't have a favorite process. My favorite process is the right process for the person I am working with. I can fit in any process as long as the director respects who I am and doesn't try to put me in a situation to get something out of me - if I can give it without that situation.

I'm thrilled I got to work with James Ponsoldt, who is going to make his mark on this industry.

Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.

I would love to work with Christopher Nolan, 100 percent.

I suppose there are many, but I cannot imagine ever having a more perfect collaboration than that which Penn-san and I shared. It was based upon mutual trust, respect, and a desire to have our own work pushed to new places. And it always resulted in delight.

Sometimes it's the script or an opportunity to work with an incredible director.

It's always nice working with friends. And if you have a director that you've worked with before, you don't have to go through that first learning thing. There's an element of trust there.

I'm re-teaming with the producers of 'Twilight,' whom I love and who I have an amazing relationship with.

It's really cool when the thing you are working on as a small team gets embraced by millions, but in the end, it's about your character and the script and your director and the rest of the cast and crew.

In cinema, I would not really rate my costar and I would not pick a project because of the costar. I would pick a project because of the director. And the script.

In 'Stree', I had a great time working with the whole team and Dinu, being the producer and one of the most important people. And now we are doing another film together, and I'm sure there will be a couple of more films in the future.

Justin Theroux is the ideal team partner to have. He's a writer. He's a director.

What I feel is great acting might be rubbish for another filmmaker. There is no right or wrong way to do it. It all boils down to the trust between an actor and a director.

Certainly as a director you want to be working with people who are on the same page as you and that you can trust and get along with.