Martin Scorsese Quotes

The films an audience really enjoys are the ones that were enjoyable in the making. Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive. A film made in this spirit reveals the hearts of the crew.

Not harder than it should be, no. We're about the business, we're about the work. It's all about the work, always. We have fun and laugh and there're days that are more intense than others, but we're there to make it better. He's always going to try and make it better, I'm always going to try and make it better. So you accept anything, you accept whatever it takes to get it up on the screen and make it worthy.

I lose faith in everything else, but rarely in my work. If I start to get bored, I change it to make it more interesting. I try not to take it too seriously, but I also try to never cheat or hurry things along.

I certainly can't complain. I work six days a week, if not seven, and eighteen hours out of twenty-four - fortunately, with a great deal of pleasure. Why? Because I only do something if I want to do it; I need to feel a desire, to find pleasure in moving forward, creating, moving, inventing.

I just think of myself as a hard-working person who loves my job.

I don't know how to be professional. But I always enjoy what I do.

I always like to be in the presence of people who are good at and love their jobs, Irrespective of their jobs.

You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well.

There's a beauty in work and I love it, all different kinds of work. That's what I consider it. Rock is my job, and that's my work. And I work my ass off, you know.

I'm a work horse. I like to work. I always did. I think that there is such a thing as energy, creation overflowing. And I always felt that I have this great energy and it was bound to sort of burst at the seams, so that my work automatically took its place with a mind like mine. I've never had a day when I didn't want to work. I've never had a day like that. And I knew that a day I took away from the work did not make me too happy. I just feel that I'm in tune with the right vibrations in the universe when I'm in the process of working. ... In my studio I'm as happy as a cow in her stall.

Passion for our work is not usually a subterranean volcano waiting to erupt...It is a muscle that gets strengthened a little each day as we show up - as we do what is expected of us, and then some.

I think the people who work with me are people who love style themselves. I'm leaving the office and they're still working. They're passionate.

We do not wait for inspiration. We work because we've jolly well got to. But when all is said and done, we toil at this particular job because it's turned out to be our particular job, and in a weird sort of way I suppose we may be said to like it.

Inspiration and work ethic - they ride right next to each other.

I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.

I long so much to make beautiful things. But beautiful things require effort and disappointment and perseverance.

I prefer to think of film making - you know, um, the sweat is supposed to be invisible. But a lot of sweat can go into making a film. But of course, if you enjoy doing it, you enjoy doing it.

Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.

If you're not prepared, and you're not passionate, and you don't push yourself to a level of human exhaustion on every level, mentally and physically and creatively... I've seen directors who approach it casually, and they do somehow maintain better hours... but I could never be that guy. I am up and editing all night.

When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do.

My siblings and I were raised to be very hardworking and to find something that we're passionate in, and to be able to turn that into work - I'm lucky to be able to say that I've done that.

Whenever I'm doing any film, I'm always just happy to have a job and I always just put 110% of myself into it.

A musical takes two to five years. You have to love it to put in the years.

To do this job, you really have to love what you're doing.

I don't mean this to sound cliche, but it's really about the work for me. I like to keep working on things.