Edith Schaeffer Quotes

Art does not begin with imitation, but with discipline.

My friend advised me to go into studying art, which at first shocked me because art was so easy. It was just something I did, like breathing or brushing my teeth. It couldn't be a job. I had a much more difficult time writing plays, making myself sit at that typewriter and finish those things.

To create a work of art, great or small, is work, hard work, and work requires discipline and order.

How do you write? You write, man, you write, that's how, and you do it the way the old English walnut tree puts forth leaf and fruit every year by the thousands. . . . If you practice an art faithfully, it will make you wise, and most writers can use a little wising up.

I would never finish a painting if I didn't have a deadline.

I didn't have the time to literally write and draw the strip at the same time.

Balancing an illustrator and author can be tricky, but I was an illustrator mostly before I wrote my books.

Domesticity is the enemy of art. I don't know if that's true. You can write good happy songs. So, I don't think it's necessarily happiness. But I think self-satisfaction is maybe the enemy. It's kind of better to think, "Tomorrow night I'm gonna sing it better." There is this forward effort. It feels to me right, it feels human.

Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.

My creative life is a constant struggle to achieve a balance between letting things flow in and letting things flow out.

I do the same thing everyday. I go to work and paint. I try to turn out as many pictures as I can.

I have disciplined myself when I'm working. When I discovered art, I realized that one could keep that search going within creation. But I also realize that in order to create the art, you have to stay, you can't go too far.

A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.

The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.

Everybody is different. Some writers can write reams of great books and then J. D. Salinger wrote just a few. Beethoven wrote nine symphonies. They were all phenomenal. Mozart wrote some 40 symphonies, and they were all phenomenal. That doesn't mean Beethoven was a lesser writer, it's just some guys are capable of more productivity, some guys take more time.

A lot of artists need structure.

The Arts are learnt by reason and method; they are mastered by practice.

The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up!

Generosity is a two-edged virtue for an artist - it nourishes his imagination but has a fatal effect on his routine.

Creating art is a habit, one that we practice daily or hourly until we get good at it

A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, "Simba!

Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.

How lucky is the man who, like Mozart and others, goes to the tavern of an evening and writes some fresh music. For he lives while he is creating.

I suppose the more you have to do, the more you learn to organize and concentrate-or else get fragmented into bits. I have learned to use my 'ten minutes'. I once thought it was not worth sitting down for a time as short as that; now I know differently and, if I have ten minutes, I use them, even if they bring only two lines, and it keeps the book alive.

I'm one of the few people who understands how producing technology requires intuition and creativity, and how producing something artistic takes real discipline.