Rosemarie DeWitt Quotes

I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.

Very often what will happen between actors is that they'll develop kind of a ghost relationship in real life that reflects their relationship on screen or in the play that they're doing. In fact, I'd say that happens almost every time. I don't know why that happens, but it seems very common.

So, hopefully, us finding ways to constantly work, but always with a different product, will help our band play to more people and continue making music.

When we watch dance, the artists and the audience are part of a momentary collective experience that will never happen again.

As a content creator, all you can do is do your best work and then hope that it resonates somehow with an audience.

I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.

To finally be able to actually play the piano with vocalists and actually do, like, a proper concert - that feels really good.

Whenever I sing a song, I just want it to reach out to the audience.

I've always considered myself a serious guitar player, but I haven't been really worried about whether the public thought I was. That never was part of my record sales strategy.

The way theater can bring people together is so powerful.

It's not like we set out to antagonize the audience in any way. We're just presenting our music; it's really much more innocent.

I'll die on the stage, man.

Cabaret presents different challenges, as it is all on me. I love having the freedom to say anything you want - do anything you want. It is a lot of responsibility, and if it works, you get all the kudos, and if not - all the blame.

Things like dressing, postures and gestures are under the artiste's control. If I'm performing, my safety is primarily my responsibilityso I shouldn't end up doing anything that would infuriate the audience.

As long as I don't go onstage completely normal and then jump into character onstage, I assume that most fans would be able to accept me as the creator. I can comment on the work the same way a director would on his movie.

A female celebrity just has to chat and smile with a guy for him to become the new man in her life. Amazing.

I just wanted to perform all day, every day.

You always hope an audience will respond to something you've done, but there's no way of knowing whether or not they will.

When I did 'Naanum Rowdy Thaan' with Nayanthara, she was in the peak of her career - I was apprehensive about her willingness to act with me.

Every night on stage it gets more and more comfortable. I think it really shows in the performances and just being able to revel in it and do it and live the dream I've thought about for so long.

As a creative, as an artist, I'm just excited when people want my stuff, and want to experience it.

I just try to direct in a way that interests me. And, hopefully, other people will find it compelling.

Opera should be a place for art forms to meet. I've worked a lot with Peter Gabriel; his music isn't operatic, but he creates big, popular gatherings to which architecture, dance, and music are all invited.

At heart, I was always a performer, not a competitor.

When I did 'Kaaka Muttai,' I was a very raw actor. Director Manikandan brought out the best in me.