Ajay Devgn Quotes

We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world.

I like a lot of international people. Julie Taymore, the American director - she's one of the most exciting directors I've seen.

It is interesting to see what other designers do, and not work in a vacuum.

British drama can compete with America creatively. But the two systems are very different.

The best creative no longer has to originate in Chicago or London; it will be coming from Stockholm, Tokyo, and Seoul as well.

Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.

After it's finished, sometimes I can trace a path that goes back to the possible source of inspiration.

It just makes you a better artist when you're with people who are great artists themselves. Being around Kanye, soaking up all the knowledge, all the stuff he got.

The foreign accent was a promise, and indeed, all over the country, European imports added spice to the sciences, the arts, and other areas. What one had to give was not considered inferior to what one received.

A lot of actors never talk to other actors about how they're doing things, or why. I think it's important to share the way you're thinking.

I am interested in things happening around me, and I need to understand what's going on in other artistic sectors like music and literature.

I definitely want to work on a project with young designers, not just French but international.

My scientific career has developed on three continents: Asia, Europe and North America.

I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.

New York is fantastic, and I've done several films in Los Angeles which I really enjoyed, but I don't think that America is the be-all and end-all. I'll follow the good work wherever it may be.

I'll say this, I'm no stranger to working with a foreign cast, foreign directors, that sort of thing. I love it, because I think that when you have people from different countries, it sort of brings everyone together, it's more of a worldly film.

Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.

Somebody said that my work might be an interesting source of material.

I guess artists are living inspiration. There's something very pure about a person that fantasizes. I like hearing their stories, watching them work. Their take on the world interests me. It's not unified.

Can that make any sense - a Belgian artist living in Mexico and working in Afghanistan?

I have never been in any country where they did not do something better than we do it, think some thoughts better than we think, catch some inspiration from heights above our own.

What inspires me is not so much the music as the opportunity to interact with composers. I think that has driven everything I've done.

I had to figure out how to bring the world into my work.

My ultimate search has been for a muse.

When you do music, your friends are writers, actors, painters. It's all under the same roof. So anything creative is interesting to me.