Martin Luther Quotes

I teach classes 28 weeks of the year, but the rest of the time I do research and write books. While I'm writing a book, which I probably do two out of every three years, it's like having a second job. I squeeze in the hours when I can.

This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit.

I nearly always write — just as I nearly always breathe.

Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or beast does, just like life does. Why should a book tell a tale in a dull straight line? Words should wander and meander. They should fly like owls and flicker like bats and slip like cats. They should murmur and scream and dance and sing.

Instinct is a marvelous thing. It can neither be explained nor ignored.

I like to remind teachers that even though they're all overwhelmed and overloaded, and it's easy to get burned out, it really is about the kids. It only takes one good teacher to change a life - one time, and one book. That's what happened when I was a kid. I had one good teacher that came in at the right time and turned me into a writer. So never lose sight - you could be that teacher.

May God strike me down with a hammer on the head before I write a book with a teach-y goal!

I have never written a book that didn't teach me far more than it taught my reader.

Let everything be allowed to do what it naturally does, so that its nature will be satisfied.

[Footnote:] To give the Beaver his due, he does things because he has to do them, not because he believes that hard work per se will somehow make him a better Beaver -- the Beaver may be dumb, but he is not that dumb! The Beaver was made to gnaw, and gnaw he does. There you have him in a nutshell.

Teaching has never been far from my life. It's the most natural thing I do. Apparently, as I said, I cannot not do it.

Sex doesn't have to be taught. It's something most of us are born with.

I'm very happy. I like my work and I like the various aspects of it - going around the world, teaching the gospel according to St. Albert - I like that. And seeing clients, doing group therapy, writing books.

Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.

I discovered John Truby ten years ago when a friend told me about his screenwriting course. I studied Truby's principles for a year and -- using them -- I wrote the first draft of The Thieves of Ostia in two weeks. I go back to his teachings before each new book I write. Each time I study Truby, I learn something new.

Everything good is instinct--and, as a result, easy, necessary, free.

I came out with a book called The True Secret of Writing: Connecting Life with Language. It's a book that describes how writing is a practice and how my teaching is part of that practice. I direct the writing and create books but underneath, there's always the river of practice happening. No good, no bad. Just do it.

Writing isn't something I do, writing is something that I am. I am writing - it's just an expression of me.

The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.

I got a damn good mind to write a book about all the feelings that I have inside about all these things that happened in our life that we're making happen and letting it happen when it shouldn't be happening.

You don’t want a general houseworker, do you? Or a traveling companion, quiet, refined, speaks fluent French entirely in the present tense? Or an assistant billiard-maker? Or a private librarian? Or a lady car-washer? Because if you do, I should appreciate your giving me a trial at the job. Any minute now, I am going to become one of the Great Unemployed. I am about to leave literature flat on its face. I don’t want to review books any more. It cuts in too much on my reading.

Because I write realistic fiction, I generally don't think about fixing anyone - I just think about how I want to feel at the end of the book - And I try to write toward that feeling.

I try to write every day until the book is done, but the exact process depends on the story and its structure. Sometimes, if the story is more linear, I write it from beginning to end.

There are some works which the authors must consign unpublished to posterity, however uncertain be the event, however hopeless be the trust. He that writes the history of his own times, if he adhere steadily to truth, will write that which his own times will not easily endure. He must be content to reposite his book till all private passions shall cease, and love and hatred give way to curiosity.

The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.