Charles Baudelaire Quotes

If you are afflicted with an artistic feeling, it's just perfecting something.

I'm inspired by Prince on every level; the whole androgynous thing, the ambiguity in his gender and his foundation - it's amazing. That's the way I think about clothes, in relation to my personality and my life. It's just an extension of who I am, like a song.

When we're in a human body, we don't care about universal collapse - instead, we care only about a meeting of the eyes, a glimpse of bare flesh, the caressing tones of a loved voice, joy, love, light, the orientation of a house plant, the shade of a paint stroke, the arrangement of hair.

The problem with a beautiful woman is that she makes everyone around her feel hopelessly masculine, which if you’re already male to begin with poses no particular problem. But if you’re anyone else, your whole sexual identity gets dragged into the principal’s office: “So what’s this I hear about you prancing around, masquerading as a woman?” You are answerless. You are sitting on your hands. You are praying for your breasts to grow, your hair to perk up.

To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing - the world will be made whole. For to wish for a hand on one's hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.

In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.

There's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.

The reason why Matthew Arnold, to my feeling, fails entirely as a poet (though no doubt his ideas were good - at least, I am told they were) is that he had no sense of touch whatsoever. Nothing made any impression on his skin. He could feel neither the shape nor the texture of a poem with his hands.

Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.

Art is the need to create; but in its essence, immense and universal, it is impatient of working with lame or tied hands, and of making cripples and monsters, such as all pictures and statues are. Nothing less than the creation of man and nature is its end.

Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.

My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.

You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.

They smell good. They look pretty. I love women. I do.

My look is attainable. Women can look like Audrey Hepburn by flipping out their hair, buying the large sunglasses, and the little sleeveless dresses.

I am not concerned with simply surviving. I am very concerned about improving. I start each day by examining yesterday's work and looking for areas where I can improve. I am always trying to draw the characters better, and trying to design each panel somewhat in the manner a painter would treat his canvas.

There are so many good ones to paint and if you paint as well as you really can and keep out of all other things and do that, it is the true thing.

Well, art is art, isn't it? Still, on the other hand, water is water.

I was going to be a teacher and improve the world. Teach people with hooks for hands to fingerpaint, and teach bums to draw happy faces on beads.

I invented the colors of the vowels!--A black, E white, I red, O blue, U green--I made rules for the form and movement of each consonant, and, and with instinctive rhythms, I flattered myself that I had created a poetic language accessible, some day, to all the senses.

Women have, in general, but ne object, which is their beauty; upon which, scarce any flattery is too gross for them to swallow.

As much as the needs of fact, the needs of the spirit and the senses, must be satisfied. Architecture is as much a part of the realm of art as it is of technology; the fusion of thinking and feeling.

During a heavy storm at sea a nervous woman passenger on a large liner went to the captain, seeking reassurance. "Captain," she asked tremulously, "are we in great danger?" "Don't worry, madam," he answered, "after all, we in the hands of God." "Oh," she gasped, terror written on her face, "is it as bad as that?"

He used both hands when he made the bear. Imagine a bear proceeding from the hands of God.

I was breathless, talking as fast as I could. I was afraid if I stopped talking, even for a second, I’d start sobbing again. “Whoa, there.” Fang smiled and reached up, tracing a hand down the side of my face, winding strands of my hair around his fingers. “Stop talking and let me just tell you how great it is to wake up staring at your face. Okay?