The Great Khali Quotes

You know, you can have someone who's the very best at something, but if there's not that kind of chemistry, collaborating is not going to amount to anything.

It takes two hands to clap.

I like trying to create a spark through a collaboration between me and the audience.

Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.

The rider and the team need to understand one another and work in the same direction. Then the rider's happy, and only then will the rider be able to give 100%.

Everything's a lot easier when you work with someone you know just about as well as you know yourself.

Improv relies just as much on listening as it does you delivering dialogue. That's the hard for some people. Some people just concentrate on what they're going to say, and they're not listening. You have to listen in order to see where the other person is going to.

The development of beauty in chess never depends on you alone. No matter how much imagination and creativity you invest, you still do not create beauty. Your opponent must react at the same highest level.

The best partnerships aren't dependent on a mere common goal but on a shared path of equality, desire, and no small amount of passion.

If people work together in an open way with porous boundaries - that is, if they listen to each other and really talk to each other - then they are bound to trade ideas that are mutual to each other and be influenced by each other. That mutual influence and open system of working creates collaboration.

It's very important that there should be cross-fertilisation between government and academia. Both parties can benefit from having a better understanding of how the other works.

The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.

Double J is similar in age, we're similar in experience. I think if we hooked up, we could be a formidable team. We get along well inside the ring and outside the ring.

You want to work with people you are excited about and they are excited about you. It's a two-way street.

The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.

A lot of times you come against actors who come from a different direction, and you tend to meet in the middle.

When the needs of one person are being met by the other, there is laughter.

The result of this union would be, not the fortuitous result of a series of approximations and concessions, but the harmonious synthesis of two aspects of a single thought.

Acting with someone else, I can't tell how good they are because if I'm doing my job right, I'm just fully invested in everything that person's saying.

What is exciting is not for one person to be stronger than the other... but for two people to have met their match and yet they are equally as stubborn, as obstinate, as passionate, as crazy as the other.

Success is best when it's shared.

Understanding is a two-way street.

The opponents and I are really one. My strength and skills only half of the equation. The other half is theirs. An opponent is someone whose strength joined to yours creates a certain result.

Anything can be done if you find friends to do it with. The lucky biographers find themselves drawn into a sort of friendship with their subject.

In a partnership, it is good to have two partners who have complementary means of action, under the assumption that these two partners sufficiently talk to each other to find out what they want to do together