Connie Britton Quotes

Doing anything on a movie at Sundance is great.

My dad brought 'Clerks' to Sundance 22 years ago, and that's when his career started.

I think it took me seven years before I got the script for 'Frozen River.' That's the movie I had been looking for my whole career. When I read that, I knew I had to shoot that movie - that it'd be a game-changer. It was one of those scripts where I read it, and I was like, 'This movie could get into Sundance.'

My first movie, 'Heathers,' had played at the festival, so I had a little bit of a Sundance connection, but I didn't really know about the Labs.

I'll just say it: I love Sundance; my very first film won Sundance.

I've made 30 movies and for the most part my movies work. In a business where success is an exception and not the rule, I've mostly been successful.

I met Jill Soloway at Sundance a couple years ago. I was there for 'Crystal Fairy', and she was there for 'Afternoon Delight'. She reached out and wanted to get together.

I've had something like seven films at Sundance, one of which won the Grand Jury Prize.

I'd made this film called 'This Little Life,' and it went round the fests and won awards and did well.

I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.

Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.

I'm really proud of an independent movie called 'Angel's Perch' that you can get now on demand. It's a labor of love. People worked really, really hard, and it's a beautiful film.

It's no coincidence that 'Night at the Museum' completely blew the lid off my career. I finally got a handle on tone.

Sundance took me on my first film and from there sort of launched my career.

I couldn't get a job to save my life. That's why I wrote 'Road to Paloma.' That got into Sundance and got into that scene, and that's how I got the role in 'The Red Road.'

Working with the Coens was a dream come true.

My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.

For a film to be made is a small miracle. And sometimes it's a large one.

The film itself, and my role as Moses, will always remain one of the creative peaks of my career.

My proudest moment is when I'm part of a good film, when people are touched by it.

Getting into Sundance is such a big platform for a director.

'Pretty In Pink' was a huge hit for me.

There was a day when I woke up and realised that I had to pinch myself, since I was going to work with Majid Majidi.

I've had the opportunity to work on some really great indie features. One of them being 'Little Savages,' which is a super fun family film.

After 'Fukrey,' when a filmmaker came to narrate a film to me, I started crying. It was a dream come true moment for me.