Carlos Fuentes

(Carlos Fuentes Macías)

Carlos Fuentes
Carlos Fuentes
  • Born: November 11, 1928
  • Died: May 15, 2012
  • Nationality: Mexican
  • Profession: Novelist

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Carlos Fuentes Macías was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975), The Old Gringo (1985) and Christopher Unborn (1987). In his obituary, The New York Times described Fuentes as "one of the most admired writers in the Spanish-speaking world" and an important influence on the Latin American Boom, the "explosion of Latin American literature in the 1960s and '70s", while The Guardian called him "Mexico's most celebrated novelist". His many literary honors include the Miguel de Cervantes Prize as well as Mexico's highest award, the Belisario Domínguez Medal of Honor. He was often named as a likely candidate for the Nobel Prize in Literature, though he never won.

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People and their cultures perish in isolation, but they are born and reborn in contact with other men and women, with man and woman or another culture, another creed, another race. Miscellaneous
The consumption of drugs could be legalized, not penalized. Alcohol, Tobacco & Other Drugs
The Hispanic world did not come to the United States. The United States came to the Hispanic world. It is perhaps an act of poetic justice that now the Hispanic world should return. Minorities & Women
There is a silent reconquest of the United States. Immigration & Emigration
What the United States does best is to understand itself. What it does worst is understand others. Foreign Policy, World & International Affairs
When California passes a law saying that English is the official language, it can only mean one thing: That English is no longer the official language. English, Languages & Bilingualism
Contrary to the macho culture of Mexico, both my grandmothers were very brave young widows. I was always very close to these hard-working, intelligent women. Women
Cuba needs a dose of perestroika.
Diplomacy in a sense is the opposite of writing. You have to disperse yourself so much: the lady who comes in crying because she's had a fight with the secretary; exports and imports; students in trouble; thumbtacks for the embassy.
Don't classify me, read me.
Here among my books, my wife, my friends and my loves, I have plenty of reasons to keep living.
I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
I am a literary animal. For me, everything ends in literature.
I am a morning writer; I am writing at eight-thirty in longhand and I keep at it until twelve-thirty, when I go for a swim. Then I come back, have lunch, and read in the afternoon until I take my walk for the next day's writing. Morning
I am not interested in slice of life, what I want is a slice of the imagination. Life
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death. Death
I don't think any good book is based on factual experience. Bad books are about things the writer already knew before he wrote them.
I had the good fortune of having a happy, closely knit family. Families, Children & Parenting
I have no literary fears.
I have two children who died before reaching 30, so who am I to complain about being alive?
I like fighting. I get into rows all the time. Time
I love having critics for breakfast. Love, Romance, Marriage & Sex
I must write the book out in my head now, before I sit down.
I started my own magazine with drawings, commentary, news, film reviews and drawings.
I use a lot of film images, analogies, and imagination.
I'm a writer, not a genre.
In Latin America, even atheists are Catholics.
I've lost audiences, I've recovered them.
Like all of Latin America, Mexico after independence in 1821 turned its back on a triple heritage: on the Spanish heritage, because we were newly liberated colonies, and on our Indian and black heritages, because we considered them backward and barbaric. We looked towards France, England and the U.S., to become progressive democratic republics.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers. Life ;History
My system for staying young is to work a lot, to always have a project on the go. Work, Workers & The Labor Force
One puts off the biography like you put off death. To write an autobiography is to etch the words on your own gravestone. Death
Perfect order is the forerunner of perfect horror.
The historical problem of the United States is to admit that it is a multiracial and multi-ethnic nation.
The new world economic order is not an exercise in philanthropy, but in enlightened self-interest for everyone concerned.
The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century. Life
The real bombs are my books, not me.
The United States condoned dictatorships in Latin America for much of the 20th century.
The United States has written the white history of the United States. It now needs to write the black, Latino, Indian, Asian and Caribbean history of the United States. History
The United States is very good at understanding itself, and very bad at understanding others.
There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
There must be something beyond slaughter and barbarism to support the existence of mankind and we must all help search for it.
U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
Under the veneer of Westernization, the cultures of the Indian world - which have existed for 30,000 years! - continue to live. Sometimes in a magical way, sometimes in the shadows.
What I want is to respond to the challenge posed by the mass media - to permit the novel to say what can only be said by narrative - to allow it to be itself.
What's happened at the Abu Ghraib prison in Iraq is one of the grossest violations of human rights under the Geneva Conventions that we have record of. It is simply monstrous.
Work is what saves you. Work, Workers & The Labor Force
Writing requires the concentration of the writer, demands that nothing else be done except that.
You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican. Freedom & Liberty

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